Dr. Lonnie Cancels Annual Nevada Day Open House

In case you are wondering why we haven't been asking for volunteers to help with Dr. Lonnie Hammargren's annual Nevada Day Open House this month, the reason is Dr. Lonnie has canceled the annual event due to family obligations.

He promises that the event will return next year.

In the meantime, here is the story from the R-J:

Dr. Lonnie Hammargren is one of the valley's more colorful characters and owns of one of the area's most unusual homes.

The past 15 years, Nevada's former lieutenant governor has opened his home in the Paradise Crest neighborhood, near Flamingo and Sandhill roads, for tours on Nevada Day. This year, for only the second time since he and his wife began the tradition, the Oct. 31 party is off.

"I had heart surgery just before Nevada Day one year," Hammargren said. "This year, it's a bunch of things that led to us deciding to hold off on it."

Hammargren cited a couple reasons:

• His wife, Sandy, is recovering from knee surgery to repair a sports-related injury from her teens.

• Much of the time Hammargren typically spends preparing the home for visitors will be consumed by a pair of trips across country, one to visit family and an ill friend in Minnesota, and the other to see the grandkids in Florida and attend the 90th annual meeting of the Theodore Roosevelt Association.

"Roosevelt is my ego ideal," Hammargren said. "I've been following in his footsteps all my life, which I didn't realize at first."

Perhaps the more pressing reason is a result of formal complaints that have been filed with Clark County. Hammargren has decided to hold off on the event while he works to get the property up to building codes.

Although the Nevada Day tour is popular, attracting thousands of visitors each year, Hammargren's neighbor Barbara Robinson, who acknowledges she's behind many of the complaints, isn't sad to see it take a year off.

"I love Lonnie, but I can't stand his house," Robinson said in a front yard interview with Hammargren standing nearby. "Would you like to live with that in your neighborhood?"

Over the years, Hammargren has made additions and connected the buildings on his property with bridges. One building includes a dome hidden beneath a more traditional roof. That same building is topped with an unfinished model of Stonehenge.

"We've limited the roof to 35 feet," Hammargren said. "I've had teams of inspectors on the roof checking that out."

He did note that in order to have people walking on the roof, a safety rail is required, and that rail rises 42 inches above the 35 feet. The presence of people on the roof, particularly during special events, is one of the things that irks Robinson the most.

"You're out there by your pool in your bathing suit, and there's someone walking along the roof, and what are they looking at? My yard," Robinson said.

Hammargren said he built a low, plywood wall to block the view into Robinson's yard from the catwalk. Prior to the wall's construction, a 20-foot balance scale holding models of UNLV and UNR could be seen from Robinson's backyard. The building has all manner of objects attached to it and on top of it. Hammargren has purchased, salvaged or collected the items over the years. These days, people just call him up when they have something unusual that needs a home.

"That stuff in there, nobody wants it," Robinson said. "Ask him how much he paid for it. People just give it to him instead of throwing it out."

Aside from being flat-out strange, Robinson contends, Hammargren's collection is a nuisance and draws unwanted traffic and attention to the otherwise quiet neighborhood.

"You get a lot of lookie loos," she said. "We're just trying to get home, and they'll be creeping down the road, blocking traffic."

Robinson says the house has gotten stranger over the years. She pointed out a few rooftop embellishments: a life-size elephant, with its posterior facing the neighborhood; a giant orange hand; a barbecue grill.

"It wasn't like this when I moved here," Robinson said. "I'm not crazy."

Three years ago, she decided to ask the county to get Hammargren to stop the expansion of the visible collection and bring the house more in line with the rest of the neighborhood.

"I have an agreement that Lonnie signed in 1999 saying that he wasn't going to put stuff above the fence, but that's been violated 1,000 times," Robinson said. "He's gone past the height regulations. He doesn't take care of it. Stuff is broken."

Hammargren says he is doing his best to bring the house up to code. He pointed out a number of recent changes, including increasing the head clearance on some of the stairwells, reinforcing safety rails and removing some of the exhibits, such as Gary Wells' stunt motorcycle, which was mounted on a beam about 10 feet above one of the swimming pools.

"We can't comment on Dr. Hammargren's case because it's still open," Clark County spokesman Dan Kulin said.

The first step from home to self-made museum began 34 years ago, when Hammargren, concerned about the lack of science education in town, added an observatory and planetarium to his home. He said the plans were approved by Al Collins, who represented the Collins Brothers, who developed the Paradise Crest neighborhood.

"Buckminster Fuller, the world-known architect and inventor of the geodesic dome, visited here and approved the plans for my dome," Hammargren said.

Things were not always contentious between Hammargren, a prominent neurosurgeon, and Robinson. For many years, Robinson's husband was Hammargren's preferred anesthesiologist, but Hammargren retired from surgery three years ago.

"We have no anger. We have philosophical differences on what's beautiful and what's not. Why would you paint your cement red when, as soon as you do that, when the cars go over it, it's going to get dirty again?" Robinson asked. "Years ago, he used to be the entertainment in the neighborhood, but we've grown. We've outgrown Lonnie. This is not what we look on as entertainment anymore."

Sandy Hammargren disagrees. Although she has kept her husband from putting too much of his eclectic touch on the north house, where they actually live, she seems to enjoy him and his eccentricities and sees no reason to rein him in.

"The roadrunner would be easier to contain," Sandy said.

Postcard History Talk on Saturday

This Saturday, October 17th, I will be giving a talk on the history of Las Vegas told through postcard imagery.

It is part of the Atomic Testing Museum's Saturday 1950s day.  There will be classic cars on display and a sock hop follows at 4:00 pm.

My talk is at 2:00 pm and is free and open to the public.

I will be talking about the history of Fremont Street and the original Strip as well as showing slides of our community as well.

After the talk, will be a booksigning for my book, "Las Vegas: 1905-1965" and I will have DVD's of "The Story of Classic Las Vegas" on sale as well as Classic Las Vegas tee-shirts.  You will get discounts on all items on Saturday only!

It should be a fun afternoon of history and iconic imagery, so I hope you will join me!

Atomic Testing Museum

Saturday, Oct. 17th

2:00 pm

755 E. Flamingo Blvd

I hope to see you there!

Showgirls: Life after the Folies

 

 

Ever wonder what happens to the showgirls when a show closes.  Earlier this year, the venerable Folies Bergere closed at the Tropicana after 49 years.

From our pal Corey Levitan at the R-J:

They kicked it high in the longest-running show in Las Vegas history. Now, they're mostly just kicking it. Six months after the final curtain fell on "Folies Bergere" at the Tropicana, only one of its final nine showgirls has another show to show for it.

"I was just very lucky," says Kimberly Denmark, who segued into "Sin City Bad Girls," a cabaret jiggle show at the Las Vegas Hilton.

Imported from Paris in 1959 by Tropicana entertainment director Lou Walters (father of Barbara), the topless "Folies" ran for 49 years until March 28.

Denmark, who won't reveal her age, scored her "Bad Girls" audition in February, a couple of weeks after new Tropicana management announced the end of the chorus line.

"I went praying that I would get something, and I did," says Denmark, guessing that her new show's producers sought a "curvy, rock 'n' roll" type for the role.

Denmark's former co-workers have had less success landing on their high heels. Most blame the economy and Las Vegas' general disregard for its own history.

"I'm trying desperately to find a show," says Samantha Ostolaza, 39. "I miss it so much."

Ostolaza has been turned down for "Dirk Arthur Xtreme Magic," "Fantasy," "Bite" and pretty much the only traditional showgirl game left in town other than Mayor Oscar Goodman's arm: "Jubilee!" at Bally's.

"I know that with my age, the competition is a lot stiffer," Ostolaza says. "But I have some good years left because I'm still in good shape and still look pretty good for my age."

Ostolaza regularly checks vegasauditions.com and her network of friends for new leads. But the rare auditions that do come up attract hopefuls in far greater numbers -- and for far fewer slots. (For its most recent audition, in July, a "Jubilee!" spokeswoman reports that more than 40 women turned up to audition for 10 roles.)

"Back in the day, people would show-hop, so there would always be turnover," Ostolaza says. "They would go from 'Jubilee!' to 'Enter the Night' to 'Siegfried & Roy.' But people are holding onto their jobs because there are no other ones."

Former "Folies" showgirl Cari Byers -- who also tried both "Jubilee!" auditions offered since January -- is using her involuntary downtime to launch a fashion line.

"Growing up, I always just wanted to be a dancer," she says, "but I've been doing stuff like this since high school out of necessity." (Finding size 6 dresses for a 6-foot-tall woman is not something you do off the rack, she explains.)

Byers, 38, sells her Green Tease line of dresses, skirts and T-shirts, sewn from recycled clothing, via the Web site www.greentease.etsy.com. She reports some success, but not enough to pay her credit card, mortgage and car payments at the same time. (Her fiance, a former "Folies" stagehand, is out of work, too.)

"It's rough right now," she says.

Janu Tornell, 44, has given up on auditions, saying that her career has "moved on to its next step." Tornell was the longest-tenured "Folies" showgirl when it closed, having joined in 1995. She also was the most famous, thanks to appearing on the 10th season of "Survivor" in 2005. Currently, she teaches Spanish and French, four days a week, as an adjunct professor at the University of Nevada, Las Vegas -- a job she also held while performing.

"School keeps me busy," Tornell says. "I'm enjoying it. I like it."

As for the other closing-night "Folies" showgirls, Claudia Cervenka is modeling and dancing for corporate events, Svetlana Failla is attending fashion-design school and working at a clothing store, Dana Kanapsky is a hostess at Stack at The Mirage, Sue White is an aesthetician and Kirsten Wolner says she's figuring out what to do with her life.

"It's not that we don't want to dance anymore," Tornell says. "If they said to us, 'Hey, you got another gig wherever,' of course we'd go.

"It's that there's nothing out there anymore."

Even the still-employed showgirl says she's worried.

"I don't feel secure by any means," Denmark says. "We've got to get the people in, otherwise we don't have a show anymore."

The Walter Zick/Mid-Century Modern Event

 

Moderator Lynn Zook (far left), Karen Zick Goff, Claire Zick Walker and Alan Hess

 

We had a terrific time on Saturday, October 3rd shining the spotlight on Walter Zick and his partner Harris Sharp at our all day event.

The Docents and Volunteers for the Nevada State Museum, Las Vegas prepared a wonderful spread of light finger food, punch and champagne.  The anticipated overflow crowd made us move into the History Gallery for the panel.  Wise move, because we had almost 100 people in attendance.

Alan Hess talked about what Mid-Century Modern architecture, what it is and why it is important.  He also talked about "cultural amnesia".  Our past reminds us of who we are, what ideals mattered to us and also shows us how far (or not) we have come.  Mid-Century Modern Architecture, perhaps more than others forms of architecture, caught the zeitgeist of post-war America.  We were a brash, optimistic country, filled with big dreams and big plans.  MCM architecture was filled with much of that same brashness and optimism.  Throw in the space race and there seemed no limit to what we could achieve.

"Cultural amnesia" is what we commit, according to Alan, when we tear down our buildings, signage and neighborhoods only because they are old.  We lose those links to our past and we don't easily, if at all, get them back.

Alan then spoke at length about the Mint Hotel and why the design of that building and signage still tugs at our memories after all these years.

Walter Zick's daughters, Karen and Claire talked about how their dad had come to Las Vegas in the mid-1940s to work on the Flamingo Hotel.

They talked about growing up in the  Twin Lakes (today, Lorenzi Park) neighborhood where the NSM is located today.  The first home that their father designed and built for his family is less than a mile west of the Museum on Skolgund Circle.  The house included a 50 foot pool that became a homing beacon for pilots flying into Nellis Air Force Base.

Then it was time to get on the bus! and begin our tour of Walter Zick's Mid-Century Modern Las Vegas!

Our first stop was at the Bank of America on West Charleston.  It was originally a Bank of Las Vegas, then became a Valley Bank (where my family banked) and is today still in remarkable shape.  A drop ceiling, an upstairs addition and the loss of some original windows are the only changes apparent to the interior.

Sara Snodgrass, president of the AIA-S and keeper of our route and schedule and I proclaim proudly for the National Trust for Historic Preservation that "This Place Matters"

Back on the bus and across town we rode to UNLV, passing a number of Zick and Sharp commercial buildings as well as Irwin Molasky's former headquarters and James Brook McDaniel's famous flash cubes!

We rolled onto Maude Frazier Way to see the wonderful Zick and Sharp designed Flora Dungan Humanities Building.  It is our understanding that this early 1960s centerpiece of the campus for years is endangered.

Alan Hess points out important features inside Humanities.

 

FCLV members Joel Rosales and Judy Bundorf declare "This Place Matters" for the National Trust of Historic Preservation.

 

Back on the bus, to the east side of town to see the first pod school that Zick and Sharp designed, Valley High School.  Then it was on to a neighborhood filled with Mid-Century Modern gems as well as the weeping mortar/squish brick home that Zick and Sharp built for Mayme Stocker back in the mid-1940s.

Karen and Claire Zick declare "This Place Matters" for the National Trust for Historic Preservation.

While MaryJOY! Alderman conducted tours of her unique house, Jack LeVine, Friends of Classic Las Vegas supporter and the man behind VeryVintageVegas.com, led those who had taken the house tour down nearby Maria Elena Drive and showed them some stunning homes:

 

Then it was back on the bus and headed downtown to see the Foley Federal Building, the old Clark County Courthouse and the former Nevada Savings and Loan headquarters before our final stop at the Morelli House.  Though Zick and Sharp didn't design the Morelli House, the Junior League of Las Vegas was kind enough to open the house, provide tours and perhaps, most importantly, refreshments!

 

Dedee Nave and Junior League president, Judy Beale proclaim "This Place Matters" for the National Trust for Historic Preservation.

As it was getting towards twilight, we headed back to the Museum.

We passed by the Neon Museum and saw the three restored signs in the Cultural Corridor!

We arrived safely back and everyone declared it was a great day.  We hope to be able to do another event centered around Mid-Century Modern architecture next year. 

Alan Hess and I had so many people come up to us and thank us for showing them a side of Las Vegas that they were unaware of, for showing them what Mid-Century Modern architecture is and why it is important.  

Karen and Claire were thrilled to have the spotlight shown on their father for a day and were so happy to see the response to their dad's still standing legacy. 

Remember, all these places and more MATTER!  You can help us to preserve these buildings  by becoming a member of the Friends of Classic Las Vegas and a reader of VeryVintageVegas.com

 

Downtown Steve captures the spirit of the day!

Thank you one last time to everyone who came out for this event, from the reception/panel to those who got on the bus to

Barbara Slivac; the Docents and Volunteers of the NSM, the staff of the NSM, especially Dennis McBride and Tom Dyer;

Karen and Claire Zick;  Alan Hess;

the Friends of Classic Las Vegas; VeryVintageVegas.com; Atomic Age Alliance; the Junior League of Las Vegas;

Brian "Paco" Alvarez; Pam Hartley; Zane and Jenny Donaldson, MaryJOY! Alderman and Susan Dean.   A special shout-out to the staff of Dona Maria's Downtown for taking such good care of us at the after-event dinner that night.

And lastly, a special thanks to Michael Rosetti and the Double Decker Bus Company!

Let's do it again next year!